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Profil

Delville Michel

Département de langues modernes : ling., litt. et trad. > Littérature anglaise moderne et littérature américaine

Traverses

See author's contact details
Main Referenced Co-authors
Belloi, Livio  (23)
Norris, Andrew (17)
Michel, Pierre  (7)
Von Hoffmann, Viktoria  (7)
Bertrand, Jean-Pierre  (5)
Main Referenced Keywords
poétique (109); littérature comparée (64); histoire littéraire (45); littérature (30); études culturelles (28);
Main Referenced Unit & Research Centers
CIPA (75)
Traverses - ULiège [BE] (27)
CIPA/Traverses (11)
CIPA - Traverses (1)
CIPA - Centre Interdisciplinaire de Poétique Appliquée (1)
Main Referenced Disciplines
Literature (285)
Arts & humanities: Multidisciplinary, general & others (112)
Art & art history (29)
Performing arts (26)
History (4)

Publications (total 450)

The most downloaded
2705 downloads
Delville, M., & Norris, A. (2005). Frank Zappa, Captain Beefheart and the Secret History of Maximalism. Cambridge, United Kingdom: Salt Publishing. https://hdl.handle.net/2268/13185

The most cited

3 citations (Scopus®)

Delville, M., & Norris, A. (2017). The Politics and Aesthetics of Hunger and Disgust: Perspectives on the Dark Grotesque. London, United Kingdom: Routledge. doi:10.4324/9781315472218 https://hdl.handle.net/2268/207880

Belloi, L., & Delville, M. (31 August 2023). Pratiques collagistes et paradoxes du recouvrement dans l'œuvre de Tom Phillips [Paper presentation]. SEDIMENTATION. Towards an Archeology of Word and Image, Belo Horizonte, Brazil.
Peer reviewed

Belloi, L., & Delville, M. (April 2023). Quand l'obscurité s'abat sur le récit. Iconicité, oblitération et engendrement poétique dans l'œuvre de Jochen Gerner. Textimage, 16 (printemps).
Peer reviewed

Belloi, L., & Delville, M. (16 February 2023). Créer, c'est effacer. Approches interdisciplinaires [Paper presentation]. Collège Belgique, Charleroi, Belgium.

Belloi, L., & Delville, M. (20 January 2023). "Only Connect" : A Humument (1966-2016) de Tom Phillips en tant qu'inter-œuvre [Paper presentation]. Œuvre ou inter-œuvre ? L'œuvre et ses médiations, Bordeaux, France.

Delville, M. (2023). The Prose Poems of Maxine Chernoff. Denver Quarterly.
Peer reviewed

Delville, M. (2023). Gertrude Stein: ‘A Movie’. In Carole Aurouet (Ed.), Anthologie du cinéma invisible. Paris, Unknown/unspecified: Jean-Michel Place.
Editorial reviewed

Delville, M. (2023). Shadows of the Future: Louis Armand’s Megaphones of Prague. JEASA: Journal of the European Association for Studies of Australia.
Peer reviewed

Delville, M. (16 December 2022). On Louis Armand’s Multimodal Poetics [Paper presentation]. ENAG International meeting : The Reception of the Neo-Avant-Gardes.
Editorial reviewed

Delville, M. (13 December 2022). Foundism, Collage, Détournement : The Story So Far [Paper presentation]. Englisches Seminar.

Delville, M. (29 June 2022). Erasurist Poetics and Politics in North-America: 1998-2016 [Paper presentation]. “North American Poetry 2000-2020/1: Poetics, Aesthetics, Politics.”.

Delville, M. (2022). Spectralité et hantologie dans A Humument [Paper presentation]. Les Constellations de Tom Phillips.

Delville, M. (2022). A Humument. In Lars Bernaerts (Ed.), Online Encyclopedia of Literary Neo-Avant-Gardes. ENAG.
Peer reviewed

Delville, M. (2022). National, Transnational.

Curreri, L., & Delville, M. (2022). Ancora qualcosina su fotoromanzo e dintorni. Cuneo, Italy: Nerosubianco.
Editorial reviewed

Delville, M. (29 September 2021). Pour le roman-photo expérimental [Paper presentation]. Un sesto di giornata sul Fotoromanzo.

Delville, M. (24 September 2021). A Portrait of Marjorie Perloff in Fifteen Paragraphs and One Refrain [Paper presentation]. Perloff@90: International Poetics Symposium, Los Angeles, United States.

Belloi, L., & Delville, M. (18 September 2021). Les dessous de Mallock. Stratégies de l'effeuillage textuel dans l'œuvre de Tom Phillips [Paper presentation]. Eroticism, Poetic Concretism, and Visuality (1960-1970), Paris, France.

Delville, M. (2021). Pour Antonio Lobo Antunes [Paper presentation]. Share a Light.

Delville, M. (2021). "Critiques politiques du fait poétique".

Delville, M., & Belloi, L. (17 June 2021). Tom Phillips : la poésie contre le roman contre la poésie [Paper presentation]. Contre la poésie, la poésie, Liège, Belgium.

Delville, M., & Belloi, L. (14 June 2021). Quand l’obscurité s’abat sur le récit Iconicité, oblitération et engendrement poétique dans l’œuvre de Jochen Gerner [Paper presentation]. Quand l'image touche la littérature: Hapticité des rapports icono-poétiques (XXe-XXIes, Louvain-la-Neuve, Belgium.

Belloi, L., & Delville, M. (27 May 2021). L'art états-unien entre effacement et dématérialisation [Paper presentation]. La Post-Amérique, Lille, France.

Curreri, L., Delville, M., & Palumbo, G. (2021). Tutto quello che non avreste mai voluto leggere—o rileggere—sul fotoromanzo. Una passeggiata. Bologna, Italy: comma22.

Belloi, L., & Delville, M. (2021). Le Livre d'artiste saisi par la bande dessinée : entrecroisements, détournements. Piano B : Arti e Culture Visive, 5 (1), 161-184.
Peer Reviewed verified by ORBi

Delville, M., Waltregny, E., & Schellow, A. (2021). Alice in Shreds: A Film.

Delville, M. (2021). Paul Claudel. In M. Delville & M. A. Caws, Early Prose Poems from All Over. Boston, United States: Black Widow Press.
Peer reviewed

Delville, M. (2021). Rilke. In M. Delville & M. A. Caws, Early Prose Poems from All Over. Black Widow Press.
Peer reviewed

Delville, M. (2021). Marcel Lecomte. In M. Delville & M. A. Caws, Early Prose Poems from All Over. Black Widow Press.
Peer reviewed

Delville, M., & Caws, M. A. (Eds.). (2021). About the French Prose Poem. New York Review Books.

Delville, M. (2021). Retour sur Giacomo Joyce. In P. Valesio, F. Manservigi, ... M. Neri (Eds.), Writers Between Worlds / Scrittori Fra più mondi. Florence, Italy: Società Editrice Fiorentina.
Peer reviewed

Delville, M. (2021). Modernism and the Social Politics of Olfaction. In F. Krause & K. Herold, Scents of Value. Smells and Social Life in English, French, and German Literature (1880-1939). München, Germany: iudicium Verlag.
Peer reviewed

Delville, M. (2021). Pour une histoire littéraire de l’odorat. In J. Hennebert (Ed.), Sens et senteur: une question d'expression et de communication. Villeneuve-d'Ascq, France: Presses Universitaires du Septentrion.
Peer reviewed

Delville, M. (2021). Le roman de la faim: du Hungerkünstler au schizoflâneur. Macerata, Italy: Quodlibet.

Delville, M. (2021). Franz Kafka. In M. Delville & M. A. Caws, Beginnings of the Prose Poem. Black Widow Press.
Peer reviewed

Delville, M., & Caws, M. A. (Eds.). (2021). Beginnings of the Prose Poem: All Over the Place. Black Widow Press.

Delville, M., Arteel, I., Bernaerts, L., Broqua, V., De Geest, D., Eder, T., Félix, B., Innerhofer, R., Logie, I., Müller, S., Vandevoorde, H., Vervaeck, B., & Van Heuckelom, K. (2021). Introduction: Neo-Avant-Garde, Why Bother? In L. Bernaerts, OELN - Online Encyclopedia of Literary Neo-Avant-Gardes. ENAG.
Peer reviewed

Delville, M. (2021). Who Hates Poetry? [Paper presentation]. Colloque international « Contre la poésie, la poésie ».

Delville, M., & Caws, M. A. (Eds.). (2021). The Edinburgh Companion to the Prose Poem. Edinburgh, United Kingdom: Edinburgh University Press.

Delville, M. (2021). Introduction. In M. Delville & M. A. Caws, The Edinburgh Companion to the Prose Poem. Edinburgh, United Kingdom: Edinburgh University Press.
Peer reviewed

Delville, M., & Belloi, L. (2021). La poésie visuelle de Tom Phillips: histoire d’un roman traité. In Mathios Bénédicte, Rodrigues Daniel, ... Lavergne Lucie (Ed.), Poésie visuelle: l’expérimentation en question(s). Clermont-Ferrand, Unknown/unspecified: Presses Universitaires Blaise Pascal.
Peer reviewed

Delville, M., & Caws, M. A. (2021). Introduction. In M. Delville & M. A. Caws, Beginnings of the Prose Poem. Boston, United States: Black Widow Press.
Peer reviewed

Delville, M. (2021). Undisciplined Writing: Postwar American Prose Poetry. In S. G. Axelrod & C. Svonkin (Eds.), The Bloomsbury Handbook of Contemporary American Poetry. London, United Kingdom: Bloomsbury.
Peer reviewed

Delville, M. (2021). Jan Baetens, "The Film Photonovel: A Cultural History of Forgotten Adaptations". Visual Studies.
Peer Reviewed verified by ORBi

Delville, M., & Waltregny, E. (2020). InfrAlice. PLACE.
Peer reviewed

Delville, M., Vandevoorde, H., & Eder, T. (25 February 2020). Avant-Post: from Silliman to Waterhouse [Paper presentation]. 9th ENAG Meeting.

Delville, M. (2020). Andy Warhol. In P. McGuiness, Europe in Poems. Todmorden, United Kingdom: Arc Publications.
Peer reviewed

Delville, M. (2020). F. T. Marinetti. In P. McGuiness, Europe in Poems. Todmorden, United Kingdom: Arc Publications.
Peer reviewed

Delville, M. (2020). ’Broadway the Hard Way’: Over de Literaire Subteksten van Zappa’s Big Note. In F. Mus, Grondtonen: als muzikanten schrijvers worden. Het Spectrum.
Peer reviewed

Delville, M. (2020). Mary Shelley's Frankenstein. (ULiège - Université de Liège, Etude de textes littéraires anglais modernes).

Delville, M. (2020). O’Hara, Cornell, Warhol, Hartigan and the Interartistic Struggle. In D. Daniele (Ed.), On and Around Frank O’Hara. Udine, Italy: Campanotto.
Peer reviewed

Delville, M. (2020). To Abolish Death. In P. McGuiness, Europe in Poems. Todmorden, United Kingdom: Arc Publications.
Peer reviewed

Delville, M., & Waltregny, E. (2020). Alice in Shreds. Image and Narrative: Online Magazine of the Visual Narrative.
Peer Reviewed verified by ORBi

Delville, M. (2020). Préface. In S. Cauchy, Figures de la boucle dans les pratiques contemporaines. Rennes, France: Presses Unversitaires de Rennes.
Peer reviewed

Delville, M. (2020). Frank Zappa, Them or Us. In F. Mus (Ed.), Grondtonen: Als muzikanten schrijvers worden. Het Spectrum.
Peer reviewed

Delville, M. (04 December 2019). Emilio Isgrò: il linguaggio artistico della cancellatura [Paper presentation]. Séminaire de lngue et culture italiennes.

Delville, M., Vandevoorde, H., & Eder, T. (08 November 2019). Language Poetry in Austria [Paper presentation]. 8th ENAG Meeting.

Delville, M., & Curreri, L. (18 October 2019). Le roman-photo (presque) par lui-même [Paper presentation]. International Study Day on Photonovels.

Belloi, L., & Delville, M. (October 2019). Les blessures de Mallock. Reprise, réduction et amputation dans "A Humument" de Tom Phillips. Textimage, 11.
Peer reviewed

Delville, M. (2019). Philippe Gonin, "Robert Wyatt, Rock Bottom". Volume! La Revue des Musiques Populaires.
Peer reviewed

Delville, M. (2019). The Poetry of Don Van Vliet [Paper presentation]. The Literary Production of Musician Writers.

(2019). Paolo Valesio, La mezzanotte di Spoleto (Delville, M., ... Della Casa, M., Trans.). Orizons.

Delville, M. (2019). Effacement, poésie, critique. Formes Poétiques Contemporaines.
Peer reviewed

Delville, M. (2019). Marcel Duchamp: A Commentary. In P. Johnson, A Cast-Iron Aeroplane That Can Actually Fly. United States: MadHat Press.
Peer reviewed

Delville, M., & Belloi, L. (2019). Oblitérations et traits de réflexivité dans _A Humument_ de Tom Phillips. In T. Raus & G. M. Tore, Comprendre la mise en abyme. Rennes, France: Presses Universitaires de Rennes.
Peer reviewed

Delville, M., & Purnelle, G. (2019). L'effacement. Formes Poétiques Contemporaines.
Peer reviewed

Delville, M. (2019). L’antivie triestine de Joyce. In L. Curreri & F. Saenen, Tentati di morire… e di vivere: moderni barbari, esteti armati, indomabili, fratelli separati, camaleonti (pp. 49-60). Cuneo, Italy: Nerosubianco.
Peer reviewed

Delville, M., & Belloi, L. (2019). Eloge de l’effacement : De Tom Phillips à Martin Arnold [Paper presentation]. Séminaire CREAVIS.

Delville, M. (2019). Président de la session "Fictions carcérales et sociétés de contrôle ".

Delville, M. (2019). Jimi Hendrix, Are You Experienced. Raris/Rouen, France: Densité.

Delville, M. (22 November 2018). The Smell of Modernism [Paper presentation]. Common Scents : An International Conference, United Kingdom.

Delville, M., & Norris, A. (14 June 2018). Edible Objects of Disgust: Hemingway, Lewis, Stein and the Anti-Vomitive [Paper presentation]. The Third International Conference of the French Society for Modernist Studies (SEM.

Delville, M. (02 May 2018). Joyce/Svevo [Paper presentation]. Tentati di morire… e di vivere: moderni barbari, esteti armati, indomabili, fratelli separati, camaleonti. Una giornata con Maurizio Serra.

Delville, M. (19 April 2018). Défaire l’art : gommages et coupes sombres [Paper presentation]. Rémélice (Réceptions et médiations de littératures et de cultures étrangères et comparées).

Delville, M. (10 March 2018). Erasure and Transmediality [Paper presentation]. Université de Cambridge, Université de Cambridge, United Kingdom.

Delville, M. (2018). Niklas Salmose, Once Upon a Time: Nostalgic Narratives in Transition. Metacritic Journal for Comparative Studies and Theory.
Peer Reviewed verified by ORBi

Delville, M. (2018). Radiohead et le rock progressif: histoire d’un malentendu. In D. Haigron & G. Clément, OK Computer, Twenty Years On. Radiohead’s Musical, Political and Cultural Legacies. Presses U Rennes.
Peer reviewed

Delville, M. (2018). Manifestoes! (ULiège - Université de Liège).

Delville, M., & Norris, A. (2018). Objects of Disgust: Hemingway, Lewis, Stein, and the Anti-Vomitive. In D. Gladwin, Gastronomic Modernism: Food, Literature, and Culture. Clemson University Press.
Peer reviewed

Delville, M. (2018). The Prose Poem. In R. Clark, The Literary Encyclopedia. The Literary Dictionary Company.
Peer reviewed

Delville, M. (2018). J. G. Ballard, Crash. In collectif, Le guide du rond-point. Editions de la Province de Liège.

Delville, M. (2018). Iain Sinclair, London Orbital. In Le guide du rond-point. Editions de la Province de Liège.

Delville, M. (2018). Lewis Carroll and the Grotesque. (ULiège - Université de Liège, Littérature anglaise B).

Delville, M. (2018). H.P. Lovecraft's "The Dunwich Horror". (ULiège - Université de Liège, Littérature anglaise B).

Delville, M., & Purnelle, G. (2018). FPC – Formes Poétiques Contemporaines, Vol. 13 "La phrase". Formes Poétiques Contemporaines.
Peer reviewed

Delville, M. (2018). Président de la session “Amériques“.

Delville, M. (2018). Gertrude Stein, Tender Buttons. In C. Sandru, The Literary Encyclopedia. The Literary Dictionary Company.
Peer reviewed

Delville, M. (2018). Frank Zappa et l’avant-garde [Paper presentation]. Colloque international Zappologies, Philharmonie de Paris/Cité de la Musique.

Delville, M. (2018). Belgian Comparativism at the Crossroads. In F. Toudoire-Surlapierre, Comparative Literature in Europe: Challanges and Perspectives. United Kingdom: Cambridge Scholars Publishing.
Peer reviewed

Delville, M. (2018). A Short Statement. In L. Armand, Alienist. Litteraria Pragensia.

Delville, M. (2018). Pour une histoire littéraire de l’odorat [Paper presentation]. Colloque international Sens et Senteurs.

Delville, M. (2018). Mary Caponegro and Emily Dickinson. In D. Daniele (Ed.), Mary Caponegro. Campanotto.
Peer reviewed

Delville, M. (2018). Hatfield and the North. In M. Delville, Le guide du rond-point. Editions de la Province de Liège.

Delville, M. (30 November 2017). Rubouts, Blackouts and Cover-ups [Paper presentation]. ENAG Meeting 2017.

Delville, M. (24 November 2017). Retour sur Giacomo Joyce [Paper presentation]. Scrittori fra più mondi, Université de Bologne, Italy.

Delville, M., & Bertrand, J.-P. (25 October 2017). Poésie et cosmologie [Paper presentation]. Colloque Art & Science, Regards Croisés, Liège, Belgium.

Delville, M., & Belloi, L. (18 October 2017). Pour une poétique de l’effacement: autour de Tom Phillips [Paper presentation]. Les langages syncrétiques: vers une approche énonciative et matérielle.

Delville, M. (28 September 2017). Hamlet et la culture populaire [Paper presentation]. Rencontres du BiLA.

Delville, M. (13 July 2017). Undoing Art [Paper presentation]. XIth International IAWIS/AIERTI Conference, Lausanne, Switzerland.

Delville, M. (2017). Présidence de la session "Réappropriations: recyclages, effacements, détournements".

Delville, M. (22 June 2017). La comparaison en Belgique [Paper presentation]. Colloque international Comparer en Europe, Mulhouse, France.

Delville, M. (18 May 2017). Radiohead and Prog Rock [Paper presentation]. OK Computer, vingt ans après: l’héritage musical, culturel et politique de Radiohead, Rennes, France.

Delville, M. (10 May 2017). Hunger Art and the Sensorium [Paper presentation]. IMS Lecture Series, Sweden.

Delville, M., & Norris, A. (2017). The Politics and Aesthetics of Hunger and Disgust: Perspectives on the Dark Grotesque. London, United Kingdom: Routledge. doi:10.4324/9781315472218

Delville, M. (2017). Robert Wyatt, Rock Bottom. Culture.

Delville, M., & Waltregny, E. (2017). Ali e t o lo ss. Röstanga, Sweden: Trolltrumma förlaget.

Delville, M. (2017). Nick Drake. Five Leaves Left. Culture.

Delville, M. (2017). James, Fabcaro et BenGrrr, Amour, Passion & CX diesel. Culture.

Delville, M. (2017). Francis Édeline, La poésie concrète soixante ans après. Culture.

Delville, M. (2017). David Toop, Into the Maelstrom. Volume! La Revue des Musiques Populaires, 13 (2).
Peer reviewed

Delville, M. (2017). Président de la séance no 3, Colloque international La fiction littéraire contemporaine face à ses pouvoirs.

Delville, M. (2017). Président de la session “Réappropriations: recyclages, effacements, détournements“.

Delville, M. (2017). Microessays and Fictocriticism. In M. Carroll, Beyond the line: contemporary prose poetry. Australia: TEXT.
Peer reviewed

Delville, M., & Bertrand, J.-P. (Eds.). (2017). Edgar Allan Poe, Eureka. Paris, France: Gallimard.

Delville, M. (2016). Présidence de la session "Literature and Destruction".

Delville, M. (16 November 2016). Erasurism, Peritext, Hypertext & Infratext [Paper presentation]. Intermediality and Paratextuality.

Delville, M. (21 October 2016). Hamlet revisité [Paper presentation]. Quatre siècles d’un été éternel—Shakespeare au tournant du vingt-et-unième siècle.

Delville, M. (20 October 2016). What’s Avant about the Poetic Neo-Avant-Garde ? [Paper presentation]. ENAG (European Neo-Avant-Garde) Meeting 2016, Paris, France.

Delville, M. (2016). Présidence de la session "Que fait le cinéma aux genres littéraires?".

Delville, M. (2016). Palahniuk's _Fight Club_: from Novel to Screen. (ULiège - Université de Liège, Littérature anglaise B).

Delville, M., Bru, S., & De Bruyn, B. (Eds.). (2016). Literature Now: Key Terms and Methods for Literary History. Edinburgh University Press.

Belloi, L., & Delville, M. (2016). Oblitérations, contacts et frictions dans "A Humument" de Tom Phillips. In A. Bandry, F. Moghadassi, ... G. Potriquet (Eds.), Defining and Redefining Space in the English-Speaking World : Contacts, Frictions, Clashes (pp. 145-154). Newcastle upon Tyne, United Kingdom: Cambridge Scholars Publishing.
Peer reviewed

Delville, M., & Bertrand, J.-P. (2016). Eureka: du poème en prose au roman métaphysique. In A. Dechene & M. Delville (Ed.), Le thriller métaphysique d'Edgar Allan Poe à nos jours. Liège, Belgium: Presses Universitaires de Liège.
Peer reviewed

Delville, M., & Caws, M. A. (2016). Undoing Art. Macerata, Italy: Quodlibet.

Delville, M., Baetens, J., Watthee, M., Callens, J., Peeters, H., Warhol, R., & Gervais, B. (2016). Transformations médiatiques: une analyse comparée du cinéma et de la. Recherches en Communication, 41, 221-32.
Peer reviewed

Delville, M., Cohen, N., Gervais, B., & O'Sullivan, S. (2016). An Example of ‘False Friends’: Literary Genres/Filmic Genres. Revue Belge de Philologie et d'Histoire, 3.
Peer Reviewed verified by ORBi

Delville, M., & Dechene, A. (2016). Introduction. In M. Delville & A. Dechene (Eds.), Le thriller métaphysique d'Edgar Allan Poe à nos jours. PULg.
Peer reviewed

Delville, M. (2016). Gilman's "The Yellow Wallpaper". (ULiège - Université de Liège, Littérature anglaise B).

Delville, M. (2016). William Faulkner's _As I Lay Dying_. (ULiège - Université de Liège).

Delville, M. (2016). Anything & Everything: Prose Poems and Microessays (Lombardo, G., Trans.). Niantic, CT, United States: Quale Press.

Delville, M. (2016). Senses. In M. Delville, S. Bru, ... B. De Bruyn (Eds.), Literature Now: Key Terms and Methids for Literary History (pp. 87-97). Edniburgh University Press.
Peer reviewed

Delville, M., Bru, S., & De Bruyn, B. (2016). Introduction. In M. DELVILLE, S. Bru, ... B. De Bruyn (Eds.), Literature Now: Key terms for Literary History (pp. 1-23). Edinburgh University Press.
Peer reviewed

Delville, M., & Dechene, A. (Eds.). (2016). Le thriller métaphysique d’Edgar Allan Poe à nos jours. Presses Universitaires de Liège.

Delville, M. (2016). Samuel Beckett and the Theater of the Absurd. (ULiège - Université de Liège, Littérature anglaise B).

Delville, M. (2016). Melville's Bartleby. (ULiège - Université de Liège).

Delville, M., Mengham, R., Salmon, Y., & Pioro, T. (01 December 2015). Understanding Marc Atkins [Paper presentation]. Understanding Marc Atkins.

Belloi, L., & Delville, M. (17 January 2015). "Oblitérations et mise en abyme dans A Humument de Tom Phillips" [Paper presentation]. "Sonder l'abyme. La mise en abyme dans les textes et les images", Luxembourg, Luxembourg.

Delville, M. (2015). L’histoire secrète du rock progressif [Paper presentation]. Is this Rock?.

Delville, M. (2015). Le spectre de la répétition dans l'art vidéo. In L. Belloi, M. Delville, C. Levaux, ... C. Pirenne (Eds.), Boucle et répétition : Musique, littérature, arts visuels (pp. 127-144). PULg.
Peer reviewed

Delville, M. (2015). Kafka’s Circus Rings and Hunger Walls. In L. Armand (Ed.), Abolishing Prague (pp. 113-124). PU Prague.
Peer reviewed

Delville, M., & Norris, A. (2015). Schizostrollers and Hungry Clerks. In G. Celant (Ed.), Arts & Foods. Electa/Mondadori.
Peer reviewed

Curreri, L., & Delville, M. (Eds.). (2015). Il grande «incubo che mi son scelto». Le grand «cauchemar de mon choix». The big «nightmare of my choice». Prove di avvicinamento a Profondo rosso / Les Frissons de l'Angoisse / Deep Red (1975-2015). Piombino (LI), Italy: Il foglio.

Delville, M., Norris, A., & Von Hoffmann, V. (2015). Introduction. Figures du Dégoût. In M. Delville, A. Norris, ... V. Von Hoffmann, Le Dégoût. Histoire, langage, esthétique et politique d'une émotion plurielle (pp. 5-21). Liège, Belgium: PULG.
Peer reviewed

Delville, M. (2015). Gertrude Stein’s Unpublished Film Scripts. In D. Thomières (Ed.), Literary Texts: The Power and the Possible. PU de Reims.
Peer reviewed

Belloi, L., Delville, M., Levaux, C., & Pirenne, C. (Eds.). (2015). Boucle et répétition : musique, littérature, arts visuels. Liège, Belgium: Presses Universitaires de Liège.

Delville, M., & Curreri, L. (2015). Introduzione a quattro mani e due teste. In M. Delville & L. Curreri (Eds.), Il grande « incubo che mi son scelto » : Prove di avvicinamento a Profondo Rosso (1975-2015). Piombino, Italy: Il Foglio Letterario.
Peer reviewed

Delville, M. (2015). Marc Atkins : rencontre aux frontières des genres. Culture, le Magazine Culturel de l'Université de Liège.

Delville, M. (2015). Radiohead: OK Computer. Paris, France: Densité.

Delville, M. (2015). Mary Ann Caws, The Modernist Art Cookbook. Culture, le Magazine Culturel de l'Université de Liège.

Delville, M. (2015). Marc Atkins: de la photographie au poème en prose. Culture.

Delville, M., & Baetens, J. (2015). 286 jours ou le défi de la réconciliation du portrait et du récit. In M. Uhl (Ed.), Les récits visuels de soi. PU Paris Ouest.

Delville, M. (2015). Preface. In J. Baetens (Ed.) & M. Kasper (Trans.), Correspondance: The Birth of Belgian Surrealism. Peter Lang.
Peer reviewed

Delville, M., Norris, A., & Von Hoffmann, V. (Eds.). (2015). Le Dégoût. Histoire, langage, esthétique et politique d'une émotion plurielle. Liège, Belgium: PULG.

Delville, M. (2015). Marc Atkins's Pro Tempore. In M. Delville, Marc Atkins. Collections artistiques de l'ULg.
Peer reviewed

Delville, M. (2015). Preface. In M. Delville, Marc Atkins. Collections artistiques de l'Université de Liège.
Peer reviewed

Delville, M. (Ed.). (2015). Marc Atkins. Collections artistiques de l'Université de Liège.

Delville, M. (2015). On the Giallo Considered as one of the Fine Arts (with Attendant Considerations of the Weird Tale, the Dark Grotesque and Dario Argento’s Philosophy of Composition). In M. Delville & L. Curreri (Eds.), Il grande « incubo che mi son scelto » : Prove di avvicinamento a Profondo Rosso (1975-2015). Piombino, Italy: Il Foglio Letterario.
Peer reviewed

Delville, M. (2015). Pro tempore de Marc Atkins. Culture.

Delville, M. (2015). Literary History and the Senses [Paper presentation]. Colloque international MDRN Writing Literary History 1900-1950.

Delville, M. (2015). Still Moving. In M. Delville, Marc Atkins. Collections artistiques de l'ULg.
Peer reviewed

Delville, M. (2015). L'art stercoral. (ULiège - Université de Liège, Questions de littératures modernes comparées).

Delville, M. (14 November 2014). Zappa et le rock progressif [Paper presentation]. Frank Zappa.

Delville, M. (05 November 2014). The New Genres of Prose Poetry [Paper presentation]. American Prose Poetry: An International Conference, Udine, Italy.

Delville, M., & Belloi, L. (03 October 2014). Recouvrements, contacts, frictions et heurts dans "A Humument" de Tom Phillips [Paper presentation]. Contacts, frictions, heurts dans le monde anglophone / Contacts, Frictions, Clashes in the English-Speaking World, Strasbourg, France.

Levaux, C., & Delville, M. (2014). Chris Cutler, Loops. Culture, le Magazine Culturel de l'Université de Liège.

Delville, M. (28 May 2014). Closed and Open Bodies: The Political Arts of Hunger and Disgust [Paper presentation]. The Rhetorics of Food.

Delville, M. (2014). Présidence de la session "Food and Ecology".

Delville, M., & Von Hoffmann, V. (22 April 2014). Goûts et dégoûts: Histoire, Art et Nourriture [Paper presentation]. Collège Belgique, Namur, Belgium.

Delville, M. (22 March 2014). Frank Zappa and the history of jazz-rock [Paper presentation]. International Frank Zappa festival.

Delville, M. (2014). Rencontre avec Jonathan Coe: Autour d'_Expo 58_ [Paper presentation]. Littérature, Jazz et Politique.

Delville, M. (2014). Jean-Michel Rabaté, Crimes of the Future: Theory and its Global Reproduction. Culture, le Magazine Culturel de l'Université de Liège.

Delville, M. (2014). La matière du détail. In L. Belloi & M. Hagelstein (Eds.), La Mécanique du détail : Approches transversales (pp. 32-44). Lyon, France: ENS Editions.
Peer reviewed

Delville, M., Baetens, J., Warhol, R., Watthee, M.* , & Gervais, B.*. (2014). Literature and Media Innovation: A Brief Research Update on a Genre/Medium Project. Germanisch-Romanische Monatsschrift, 485-492.
Peer Reviewed verified by ORBi
* These authors have contributed equally to this work.

Delville, M. (2014). Infinite Jest: Renaissance Drama and the Uses of Comedy.

Delville, M. (2014). Paolo Valesio, La Mezzanotte di Spoleto. Culture, le Magazine Culturel de l'Université de Liège.
Peer reviewed

Delville, M. (2014). Vincent Broqua, A partir de rien : Esthétique, poétique, politique de l’infime. Image and Narrative: Online Magazine of the Visual Narrative.
Peer Reviewed verified by ORBi

Delville, M. (2014). Activismes de l’inappétence : Shelley, Melville, Kafka. In B. Marquer & E. Reverzy (Eds.), La cuisine de l'oeuvre au XIXe siècle: rerads d'artistes et d'écrivains. PU de Strasbourg.
Peer reviewed

Delville, M. (2014). Ars Poetica [Paper presentation]. Ars Poetica Festival.

Delville, M. (2014). InIntroductory talk to Arf festival feat. Brussels Philharmonic, Vlaams Radio Koor & The Wrong Object olv. Alexander Hanson.

Delville, M. (2014). La hiérarchie des sens. (ULiège - Université de Liège, Questions de littératures modernes comparées).

Delville, M. (2014). Preface. In M. Atkins & R. Mengham (Eds.), Still Moving (pp. 3-4). Veer.
Peer reviewed

Delville, M. (2014). Derf Backderf, Mon ami Dahmer. Culture, le Magazine Culturel de l'Université de Liège.

Delville, M. (2014). Daniel Goossens, La reine des mouches. Culture.

Delville, M. (2014). Herman Melville, Bartleby le scribe. Culture, le Magazine Culturel de l'Université de Liège.

Delville, M. (2014). Jonathan Coe, Expo 58. Culture, le Magazine Culturel de l'Université de Liège.

Delville, M., & Von Hoffmann, V. (2013). Le Dégoût : Histoire, langage, politique et esthétique d’une émotion plurielle. Culture, le Magazine Culturel de l'Université de Liège.

Delville, M., & Bertrand, J.-P. (26 September 2013). Eureka: Poe et le poème analytique [Paper presentation]. The Metaphysical Thriller.

Delville, M., Von Hoffmann, V., & Norris, A. (24 May 2013). Conclusions [Paper presentation]. Le dégoût: Histoire, langage, politique et esthétique d’une émotion plurielle, Liège, Belgium.

Delville, M., & Norris, A. (24 May 2013). "Sound & Disgust" [Paper presentation]. Le dégoût: Histoire, langage, politique et esthétique d’une émotion plurielle, Liège, Belgium.

Delville, M. (2013). Allocution d'ouverture du colloque [Paper presentation]. Le dégoût: Histoire, langage, politique et esthétique d’une émotion plurielle, Liège, Belgium.

Delville, M., Von Hoffmann, V., & Norris, A. (23 May 2013). Introduction [Paper presentation]. Le dégoût : histoire, langage, politique et esthétique d'une émotion plurielle, Liège, Belgium.

Delville, M. (23 May 2013). On Disgust and the Curse of Matter [Paper presentation]. Le dégoût: Histoire, langage, politique et esthétique d’une émotion plurielle, Liège, Belgium.

Delville, M. (18 May 2013). "Poetry and Silent Film" [Paper presentation]. Les mots entre pouvoir et puissance, Reims, France.

Delville, M. (17 May 2013). Poetry and Silent Films [Paper presentation]. Colloque international Literary Texts: The Power and the Possible, Reims, France.

Delville, M. (13 May 2013). Crossroads Poetics and the Loop [Paper presentation]. Prague Micro-fFstival.

Delville, M. (11 May 2013). Crossroads Poetics, Frank Zappa and the Loop [Paper presentation]. Prague Micro Festival, Prague, Czechia.

Delville, M. (2013). Crossroads Poetics: Text, Image, Music, Film & Beyond. Prague, Czechia: Presses Universitaires de Prague.

Delville, M. (04 April 2013). Retour sur _Hot Rats_ [Paper presentation]. Remembering Frank Zappa, Dijon, France.

Delville, M. (04 April 2013). Les relectures contemporaines de Frank Zappa [Paper presentation]. Journée d'études Frank Zappa, Dijon, France.

Delville, M., & Norris, A. (21 March 2013). The Violence of Self-Starvation [Paper presentation]. Writing and Dramatising the Body - An International Conference, Lille, France.

Delville, M. (2013). Tolkien et la "high fantasy". Culture, le Magazine Culturel de l'Université de Liège.

Delville, M. (2013). Activismes de l’inappétence : Shelley, Melville, Kafka. In B. Marquer & E. Reverzy (Eds.), La Cuisine de l’œuvre. Regards d’écrivains et d’artistes au XIXe siècle. Strasbourg, France: Presses Universitaires de Strasbourg.
Peer reviewed

Delville, M. (2013). Frank Zappa and the Historical Avant-Garde. In P. Carr (Ed.), Frank Zappa and the And. Aldershot, United Kingdom: Ashgate.
Peer reviewed

Delville, M. (2013). Gertrude Stein's Melodies. In M. Demoor, S. Posman, ... D. Van Durme (Eds.), Melodies and Modernisms (pp. 72-83). United States: TSLL.
Peer reviewed

Delville, M. (2013). Iain Sinclair, London Orbital. Culture, le Magazine Culturel de l'Université de Liège.

Delville, M. (2013). Manifestoes! (ULiège - Université de Liège).

Delville, M. (2013). Claire et Jake, Francis est malade. Culture, le Magazine Culturel de l'Université de Liège.

Delville, M. (2013). In Praise of Boxes. In K. Freitag (Ed.), Memory, the United States, and Transnational Poetics. Cambridge, United Kingdom: Cambridge Scholars Publishing.
Peer reviewed

Delville, M. (2012). Introduction et animation du débat “La littérature par delà les frontières » du festival littéraire international "Mixed Zone" [Paper presentation]. Festival littéraire international "Mixed Zone".

Delville, M. (14 September 2012). The Prose Poem and the Third Body [Paper presentation]. WGCP (Yale Working Group in Contemporary Poetry), Yale, United States.

Delville, M. (13 September 2012). Revisiting the Loop: Image Music Text [Paper presentation]. The Department of Comparative Literature - Brown University, Providence, United States.

Delville, M. (12 September 2012). Modernism and Melody [Paper presentation]. Comparative Literature Program, New York, United States.

Delville, M. (11 September 2012). Modernism's Musical Dilemmas [Paper presentation]. UPenn Modernism and Twentieth Century Studies Group, Philadelphie, United States.

Delville, M. (2012). Petite histoire du space rock. Culture, le Magazine Culturel de l'Université de Liège.

Delville, M. (29 June 2012). Remembering Joseph Cornell [Paper presentation]. Memory, the United States, and Transnational Poetics.

Delville, M., & Norris, A. (15 June 2012). Empathizing with the disembodied [Paper presentation]. Sensualizing Deformity: An International Conference.

Delville, M. (21 May 2012). Faim de partie: les récits de la privation alimentaire [Paper presentation]. Les récits du sensible.

Delville, M., & Norris, A. (12 April 2012). Monstrosity, Hunger, and Resistance [Paper presentation]. Monsters: Subject, Object, Abject - An International Conference.

Delville, M. (2012). Rosmarie Waldrop. Culture, le Magazine Culturel de l'Université de Liège.

Delville, M. (2012). Présidence de la session "Literary Monsters" - colloque international "Monsters : Subject, Object, Abject".

Delville, M. (06 March 2012). Les artistes de la faim [Paper presentation]. Colloque interdisciplinaire Arts et nourritures.

Delville, M. (05 March 2012). Art et nourriture [Paper presentation]. Colloque interdisciplinaire Arts et nourritures.

Delville, M. (2012). Rencontre avec Iain Sinclair autour de _London Orbital_.

Delville, M. (2012). On & Around Robert Wyatt.

Delville, M. (2012). André Stas. Culture, le Magazine Culturel de l'Université de Liège.

Delville, M. (2012). Francis Edeline. Culture, le Magazine Culturel de l'Université de Liège.

Delville, M. (2012). Art et nourriture. (Questions de littératures modernes comparées).

Delville, M. (13 October 2011). Activismes de l'inappétence [Paper presentation]. Faims de littérature.

Delville, M. (2011). Présidence du 3ème atelier du colloque international "Boucle et répétition".

Delville, M., Belloi, L., & Pirenne, C. (2011). Allocution d'ouverture du 5ème colloque international du CIPA "Boucle et répétition".

Delville, M. (03 March 2011). The Ghost of Repetition in Video Art: Douglas Gordon, Bill Viola, Marc Atkins [Paper presentation]. 5èm Colloque International du CIPA: "Boucle et répétition: Musique, littérature, arts visuels", Liège, Belgium.

Delville, M. (2011). J.R.R. Tolkien. Culture, le Magazine Culturel de l'Université de Liège.

Delville, M. (19 November 2010). Les enjeux de l'écriture des sens [Paper presentation]. Colloque International "Quand la littérature fait sens", Louvain-la-Neuve, Belgium.

Delville, M. (2010). Président de session d’ouverture du Colloque International "Quand la littérature fait sens".

Delville, M. (2010). Le poème en prose américain [Paper presentation]. Rencontres du FRAM, Liège, Belgium.

Delville, M., & Dubois, J. (2010). Rencontre-débat avec Antonio Lobo Antunes.

Delville, M. (2010). A Short Statement about Prose Poetry. Sentence: A Journal of Prose Poetics, 8.
Peer reviewed

Delville, M. (2010). Retour sur les romans du 11 septembre. Culture, le Magazine Culturel de l'Université de Liège.

Delville, M., & Dawans, S. (2010). Corps Architectural et poétique de l’organique: le rêve de l’escargot. Formules, 14, 1-13.
Peer reviewed

Delville, M. (2010). J.G. Ballard et la perte du réel. In J.-L. Tillieul (Ed.), Des fictions qui construisent le monde (pp. 98-109). Louvain, Belgium: Presses univ de Louvain.

Delville, M., & Carr, P. (2010). King Kong: A Conversational Analysis.

Delville, M. (2010). Introduction à la recherche bibliographique - partim anglais.

Delville, M. (2010). Of Mussels and Moss.

Delville, M. (2010). "Goûter c'est croire": quelques pensées sur la poétique des natures mortes. In M. Watthee-Delmotte (Ed.), Texte, Image, Imaginaire (pp. 139-152). Paris, France: L'Harmattan.

Delville, M. (2010). Antonio Lobo Antunes. Culture, le Magazine Culturel de l'Université de Liège.

Delville, M. (2010). La Poétique du détail. In L. Belloi & M. Hagelstein (Eds.), La mécanique du détail.

Delville, M. (2010). Manifestes! Culture, le Magazine Culturel de l'Université de Liège.

Delville, M., & Belloi, L. (2010). Understanding the Loop. In L. Armand (Ed.), Hidden Agendas/Unreported Poetics (pp. 198-209). Prague, Czechia: Litteraria Pragensia.

Delville, M. (2010). Dylan Thomas en chansons. Culture, le Magazine Culturel de l'Université de Liège.

Dubois, J., & Delville, M. (2010). Présentation de l'oeuvre et interview d'Antonio Lobo Antunes [Paper presentation]. Antonio Lobo Antunes -lecture et débat.

Delville, M. (2010). Jan Baetens. Culture.

Delville, M., & Michel, P. (2009). Hamlet.

Delville, M. (2009). Falstaff.

Delville, M. (2009). Allocution d'ouverture du festival "Passeurs de musique" [Paper presentation]. Festival "Passeurs de musique".

Delville, M. (2009). Manger l’avant-garde : de Marcel Duchamp à Wim Delvoye [Paper presentation]. Rencontres du FRAM.

Delville, M. (12 May 2009). J. G. Ballard et la perte du réel [Paper presentation]. Cycle de conférences "Des fictions qui construisent le monde", Louvain-la-Neuve, Belgium.

Delville, M. (2009). J.G. Ballard. In Memoriam. Culture, le Magazine Culturel de l'Université de Liège.

Delville, M. (25 February 2009). Introduction à la gastro-esthétique [Paper presentation]. Cycle de conférences du séminaire interacadémique « Identités en (re)construction ».

Delville, M. (2009). Around Robert Wyatt. Culture, le Magazine Culturel de l'Université de Liège.

Regueiro, M., Delville, M. (Other coll.), & Von Hoffmann, V. (Other coll.). (2009). L'art et le goût. Culture, le Magazine Culturel de l'Université de Liège.

Delville, M. (2009). The Genres of American Popular Culture. (Littérature et civilisation américaines).

Ramais, T., Simons, G., & Delville, M. (2009). Comprendre et éviter le plagiat.

Delville, M. (2009). Modernism(s). (ULiège - Université de Liège).

Delville, M. (2009). Food Poetics.

Delville, M. (2009). Muddy Mouth : Beckett’s Poetics of Tastelessness. Litteraria Pragensia, 17, 73-85.
Peer Reviewed verified by ORBi

Delville, M. (2009). Michael Gizzi, New Depths of Deadpan. Sentence: A Journal of Prose Poetics, 7, 264-267.
Peer reviewed

Delville, M. (2009). The Matter of the Detail. Phrasis: Studies in Language and Literature, 50 (1), 63-83.
Peer Reviewed verified by ORBi

D'Anna, V., & Delville, M. (2009). Le Falstaff de Shakespeare. Culture, le Magazine Culturel de l'Université de Liège.

Delville, M. (2009). In French.

Delville, M. (2009). Third Body (Lombardo, G., Trans.). Williamsburg, United States: Quale Press.

Delville, M. (2009). Cyrus Console, Brief Under Water. Sentence: A Journal of Prose Poetics, 7.
Peer reviewed

Delville, M. (04 December 2008). The Art of Erasure.

Delville, M. (2008). Co-président de la session « Images, Identités, Institutions » du Colloque "Les nouvelles voies du comparatisme".

Delville, M. (2008). Allocution d’ouverture du Colloque "Les nouvelles voies du comparatisme" [Paper presentation]. Congrès international de la Société Belge de Littérature Comparée, Louvain-la-Neuve, Belgium.

Delville, M. (2008). Allocution d’ouverture du Colloque international « Identités en Construction » [Paper presentation]. Colloque international « Identités en Construction », Liège, Belgium.

Delville, M., Pagnoulle, C., Uskalis, E., Norris, A., & Janssens, D. (2008). Writing Skills.

Delville, M. (2008). The Grotesque.

Delville, M. (13 March 2008). Writing Skills [Paper presentation]. Journée d’études du CDS - “Favoriser l’apprentissage des langues en BAC1".

Delville, M., & Michel, P. (12 February 2008). Hamlet et les Renaissances en Europe [Paper presentation]. Espace Universitaire de Liège.

Delville, M. (2008). P. H. Liotta, the Graveyard of Fallen Monuments. Sentence: A Journal of Prose Poetics, 7, 198-200.
Peer reviewed

Delville, M. (2008). The Belly of the Writer. Interval(les), 2.
Peer reviewed

Delville, M. (2008). Les Avant-Gardes Contemporaines. (Questions de littératures modernes comparées).

Delville, M. (2008). Uncontrollable Materialities: Experimental Poetry and the Body. In K. Freitag (Ed.), Another Language - The Contemporary US-American Poetic (pp. 271-279). Berlin, Germany: LIT-Verlag.

Delville, M. (2008). Four Saints: Gertrude Stein’s Avant-Arrière-Garde. In J. Baetens (Ed.), Littérature et transformation (pp. 85-94). Leuven, Belgium: Presses universitaires de Louvain.

Delville, M., Simons, G., & Ramais, T. (2008). Plagiat et citations: fascicule relatif à la rédaction du mémoire. (ULiège - Université de Liège).

Delville, M. (2008). Morton Marcus, Pursuing the Dream Bone. Sentence: A Journal of Prose Poetics, 7.
Peer reviewed

Delville, M. (2008). Food, Poetry, and the Aesthetics of Consumption. New York, United States: Routledge.

Delville, M. (21 December 2007). In Anticipation of the Loop : Stein’s Four Saints [Paper presentation]. Melodies and Modernisms.

Delville, M. (2007). Président de la journée d’études Olith (“Literaire Dynamiek – Atelier 3“).

Delville, M. (2007). Détails et catastrophes littéraires. In L. Belloi & M. Hagelstein (Eds.), La mécanique du détail.
Peer reviewed

Delville, M. (2007). Discours prononcé en l'honneur de Paul Auster - cérémonie de remise des insignes de DHC.

Delville, M. (2007). Le phénomène Borat [Paper presentation]. Conférence-débat Cinéma Le Parc.

Delville, M. (2007). Contro la pastasciutta : Marinetti’s Futurist Lunch. Interval(les), 2.
Peer reviewed

Delville, M., & Norris, A. (2007). Frank Zappa and Captain Beefheart: Subject, Meaning, Pleasure. In L. Armand (Ed.), Transversions of the Contemporary (pp. 126-149). Evanston, United States: Northwestern University Press.

Delville, M. (2007). Introduction. Interval(les), 2, 1-3.
Peer reviewed

Delville, M., & Belloi, L. (11 October 2006). Comparatisme et transversalité [Paper presentation]. Société Belge de Littérature Comparée.

Delville, M., & Dawans, S. (07 February 2006). Corps Architectural et Utopie Organique.

Delville, M. (2006). Le ventre de l'écrivain. Interval(le)s, 4.
Peer reviewed

Delville, M. (2006). Le tranchant des modernes (suite). In L. Belloi & M. Delville (Eds.), L'oeuvre en morceaux (pp. 53-66). Paris, France: Les Impressions Nouvelles.

Delville, M., & Belloi, L. (Eds.). (2006). L'oeuvre en morceaux: Esthétiques de la mosaïque. Paris, France: Les Impressions Nouvelles.

Delville, M. (2006). Poésie, Langage, Antiprose. Formes Poétiques Contemporaines, 4, 315-320.
Peer reviewed

Delville, M., & Belloi, L. (2006). Préambule. In L. Belloi & M. Delville (Eds.), L'oeuvre en morceaux (pp. 5-9). Paris, France: Les Impressions Nouvelles.

Delville, M. (2006). Walking on the Wild Side of Modernism. In C. Den Tandt (Ed.), Reading Without Maps? (pp. 135-146). Berne, Switzerland: Peter Lang.

Delville, M. (2006). The Deep Image. In J. Gray (Ed.), The Greenwood Encyclopedia of American Poetry (pp. 369-371). New York, United States: Greenwood Press.

Delville, M. (2006). "Prose" - direction du "Dossier américain" (116 pages). Formes Poétiques Contemporaines, 4, 215-328.
Peer reviewed

Delville, M. (2006). The Literature of Terror. (ULiège - Université de Liège).

Delville, M. (2006). Questions de littérature comparée - partim: "Poésie et poétique contemporaines". (Questions de littérature comparée).

Delville, M. (25 November 2005). The Sounds of Rock Poetry and the Avant-Garde [Paper presentation]. The Sounds of Poetry : An American.

Simons, G., & Delville, M. (2005). Séance d'information sur les mémoires (Présentation Powerpoint).

Delville, M. (2005). Walking on the Wild Side of Modernism. In C. Den Tandt (Ed.), Reading Without Maps.
Peer reviewed

Delville, M., & Michel, P. (2005). An Introduction to Hamlet.

Delville, M. (2005). Uncontrollable Materialities: Experimental Poetry and the Body in Performance. In K. Freitag (Ed.), Another Language.
Peer reviewed

Delville, M. (2005). Président de l’atelier "The History of Experiment".

Delville, M. (23 February 2005). American Modernism and the Violence of Things.

Delville, M. (2005). Absorption, Sound and Orality. In J. Dierickx (Ed.), On the Sounds and Images of Contemporary Poetry: An American Connection (pp. 27-37). Bruxelles, Belgium: oninklijke Vlaamse Academie van Belgie.

Delville, M., & Norris, A. (2005). Frank Zappa, Captain Beefheart and the Secret History of Maximalism. Cambridge, United Kingdom: Salt Publishing.

Delville, M., & Norris, A. (2005). Disciplined Excess: The Minimalist / Maximalist Interface in Frank Zappa and Captain Beefheart. Interval(les), 3-15.
Peer reviewed

Delville, M. (2004). Le tranchant des modernes (suite). In L'oeuvre en morceaux: Esthétiques de la mosaïque.
Peer reviewed

Delville, M., & Michel, P. (23 October 2004). Hamlet : réflexions sur la modernité d’un mythe [Paper presentation]. Réunion annuelle de l’Association des Germanistes de l'ULg, Belgium.

Delville, M. (2004). Nikki Santilli, Such Rare Citings. Sentence: A Journal of Prose Poetics.
Peer reviewed

Delville, M. (2004). 10 Poems (Leskova, A., Trans.). In M. Solotruk, Ars Poetica 2014. Comenius University.

Delville, M. (2004). The Literature of Terror.

Delville, M. (2004). History/Lyric/Speech.

Delville, M. (2004). Les Sites du Destin Réversible et le sujet poétique chez Madeline Gins et Arakawa. In J. Darras (Ed.), Cinquante ans de poésie américaine 1950-2000 (pp. 187-201). Bruxelles, Belgium: Le Cri.

Delville, M. (2004). Rapport sur les activités scientifiques du CIPA dans le cadre de l'obtention de crédits classiques.

Delville, M., Bertrand, J.-P., & Pagnoulle, C. (Eds.). (2004). Le rossignol instrumental: poésie, musique, modernité. Paris, Leuven, Dudley, France: Peeters/Vrin.

Delville, M. (2004). How Not to Die in Venice : The Art of Arakawa and Madeline Gins. In C. dworkin (Ed.), Architectures of Poetry (pp. 77-90). Amsterdam, Netherlands: Rodopi.

Delville, M. (2004). Un seul et unique corps. In M. I. Ramalho de Sousa Santos, Poesia do Mundo / 4: Antologia bilingue. Porto, Portugal: Ediçoes Afrontamento.
Peer reviewed

Delville, M. (2004). From Fantômas to the Dice Cup. In J. Baetens (Ed.), La novellisation : du film au roman (pp. 61-70). Leuven, Belgium: PU Leuven.

Delville, M. (2004). Soup 'n Old Clothes : Frank Zappa’s Peristaltic Poetics. Oficina de poesia: Revista de palavra e da imagem, 135-155.
Peer reviewed

Delville, M. (2004). Le troisième corps. Liège, Belgium: Le Fram.

Delville, M. (2004). Interruption volontaire. In Maria Irene Ramalho de Sousa Santos (Ed.), Poesia do Mundo / 4: Antologia bilingue. Ediçoes Afrontamento.
Peer reviewed

Delville, M. (2003). From Fantômas to The Dice Cup : Poetry and the Boundaries of Novelization. In J. baetens (Ed.), La novellisation.
Peer reviewed

Delville, M. (17 October 2003). American Modernism in Transition [Paper presentation]. Conférence inaugurale du colloque Modernisme(n) in Europa 1914-1940, Netherlands.

Delville, M. (11 February 2003). Maximalisme poétique et poétique maximaliste.

Delville, M., & Alkhateeb, T. (2003). The Prose Poem Now. AL-QUDS Al-arabi.

Delville, M. (2003). Grown So Ugly : Frank Zappa’s Poetics of Orality. Prague Literary Review, 2.
Peer reviewed

Delville, M., & Pagnoulle, C. (Eds.). (2003). Sound as Sense: Contemporary Us Poetry &/In Music. Bruxelles-Berlin- New York, Belgium: P.I.E./Peter Lang.

Delville, M. (2003). La violence faite à la viande. In I. Ayres, Van Gogh's Ear. French Connection Press.

Delville, M. (2003). From the Lyric Subject to the Embouchured Self. In H. Weinstock (Ed.), Anglistentag Bayreuth (pp. 29-36). Germany: Trier Wissenschaftlicher Verlag.

Delville, M. (2003). Portrait of the Prose Poet as Glutton. Sentence: A Journal of Prose Poetics, 105-116.
Peer reviewed

Delville, M. (2003). Always Last Year. In L. Schwartz, Impossibility of / Necessity of / Speech. Poets & Poets Press.
Peer reviewed

Delville, M., & Michel, P. (2003). Hamlet & Co. Liège, Belgium: Les Editions de l'Université de Liège.

Delville, M., & Michel, P. (2003). Shakespeare et Hamlet sur la toile.

Delville, M. (2002). The Poetry of Objects. In Anglistentag 2002.
Peer reviewed

Delville, M. (11 May 2002). On the Uses and Abuses of Degenerate Art [Paper presentation]. Literature and Music in the Study of Culture, Oxford, United Kingdom.

Delville, M. (22 April 2002). Nature morte et poésie [Paper presentation]. Journée d'Etudes du CIPA.

Delville, M. (2002). Modernism(s). (ULiège - Université de Liège).

Delville, M. (2002). Poetry and the Other Arts. (Unilu - University of Luxembourg).

Delville, M. (2002). The Marginal Arts. In E. Foster (Ed.), The World in Time and Space: Towards a History of Innovative American Poetry in Our Time. Jersey City, United States: Talisman House.

Delville, M. (2002). US Poetry and Politics. (Littérature et civilisation américaines).

Delville, M. (2002). The Genres of American Popular Culture. (Littérature et civilisation américaines).

Delville, M., & Chernoff, M. (2002). Strange Tales and Bitter Emergencies. In A. Finch (Ed.), An Exaltation of Forms (pp. 262-271). Ann Arbor, United States: U of Michigan Press.

Delville, M. (2002). 'Pretty Happy!'. Literary Review, 46 (1), 196-199.
Peer Reviewed verified by ORBi

Delville, M. (2002). 'Love Poems for the Millennium'. Literary Review, 46 (1), 196-199.
Peer Reviewed verified by ORBi

Delville, M. (2002). Modernism(s).

Delville, M. (2001). L'imaginaire de l'objet. In M. Watthee-Delmotte (Ed.), Texte, image, Imaginaire. Presses univ de Louvain.
Peer reviewed

Delville, M. (2001). Soup 'n Old Clothes : The Arts of Frank Zappa and Captain Beefheart. Oficina de poesia : Revista de palavra e da imagem.
Peer reviewed

Delville, M. (03 April 2001). Breaking You Down [Paper presentation]. Poetry & Music: An International Conference, Belgium.

Delville, M. (2001). Président de la session "The Poetics of Rock 'n Roll".

Delville, M. (2001). Heroic Fantasy et modernité: la problématique de la quête chez Michael Moorcock et Samuel R. Delany. Sources: Revue d'Etudes Anglophones, 11.
Peer reviewed

Delville, M. (2001). Peter Johnson, Love Poems for the Millenium. Literary Review.
Peer Reviewed verified by ORBi

Delville, M. (2001). The Secret History of Belgian Surrealism. Samizdat, 10-12.
Peer reviewed

Delville, M. (2001). Metodologia generale dell’insegnamento della letteratura inglese in contesto europeo. (Université de la Vallée d'Aoste).

Delville, M. (2001). The Great Return of the Flesh. In G. Lombardo (Ed.), When the Time Comes: An Anthology of Contemporary Belgian Prose Poetry. Quale Press.
Peer reviewed

Delville, M. (2001). Detachement. In G. Lombardo (Ed.), When the Time Comes: An Anthology of Contemporary Belgian Prose Poetry. Quale Press.
Peer reviewed

Delville, M. (2001). When the Time Comes: An Anthology of Contemporary Belgian Prose Poetry. In G. Lombardo (Ed.), When the Time Comes: An Anthology of Contemporary Belgian Prose Poetry. Quale Press.
Peer reviewed

Delville, M. (2001). Story of a Presence. In G. Lombardo (Ed.), When the Time Comes: An Anthology of Contemporary Belgian Prose Poetry. Quale Press.
Peer reviewed

Delville, M. (2001). Umetnost Čarlsa Simića. ProFemina : Časopis za żensku knjiżevnost I kulturu, 27, 87-98.
Peer reviewed

Delville, M. (2001). Les mots pour le dire. 15e Jour du Mois.

Delville, M. (2001). Peter Johnson, "Pretty Happy ! Literary Review.
Peer Reviewed verified by ORBi

Delville, M. (2001). On Friendship. In G. Lombardo, When the Time Comes: An Anthology of Contemporary Belgian Prose Poetry. Niantic, United States: Quale Press.
Peer reviewed

Delville, M. (2001). But We. In G. Lombardo (Ed.), When the Time Comes: An Anthology of Contemporary Belgian Prose Poetry. Quale Press.
Peer reviewed

Delville, M. (2001). Richard Caddel and Peter Quartermain, eds, Other: British and Irish Poetry Since 1970. Verse, 17, 335-338.
Peer reviewed

Delville, M. (2001). Kenneth Koch, New Addresses. Verse.
Peer reviewed

Delville, M., & Dworkin. (2001). The Rain in Spain: Report on the Salamanca American Poetry Conference. Jacket.

Delville, M. (2001). "Always Last Year". In G. Lombardo (Ed.), When the Time Comes: A Selection of Contemporary Belgian Prose Poetry (pp. 2-10). Florence, MA, United States: Quale Press.

Delville, M. (2001). Invisible fences: Prose poetry as a genre in French and American literature. Modernism/Modernity, 8 (4), 705-706. doi:10.1353/mod.2001.0081
Peer Reviewed verified by ORBi

Delville, M. (2001). Carbonate Further Hope for Spread. In G. Lombardo (Ed.), When the Time Comes: An Anthology of Contemporary Belgian Prose Poetry. Quale Press.
Peer reviewed

Delville, M. (2001). All That. In G. Lombardo (Ed.), When the Time Comes: An Anthology of Contemporary Belgian Prose Poetry. Quale Press.
Peer reviewed

Delville, M. (2000). Président de la session "Salman Rushdie".

Delville, M. (2000). Reversible Destiny and the Poetic Subject: The Art of Madeline Gins and Arakawa. In C. Dworkin (Ed.), Architextures of Poetry. Rodopi.
Peer reviewed

Delville, M. (2000). The Bureaucracy of Crime : J. G. Ballard’s Cocaine Nights and the Speculative Thriller. Analele Universităţii Oradea - Seria Filologie, Fascicola Limba şi literatura, 8, 31-43.
Peer reviewed

Delville, M. (2000). Rapport scientifique portant sur les activités du CIPA.

Delville, M. (2000). Shakespeare’s Tragedies. (ULiège - Université de Liège).

Delville, M., Pagnoulle, C., Norris, A., & Uskalis, E. (2000). Etude de Textes Littéraires Anglais Modernes.

Delville, M. (2000). John Milton. Voir, 21, 71-73.
Peer reviewed

Delville, M. (2000). La littérature de heroic fantasy [Paper presentation]. Institut des Hautes Etudes de Belgique.

Delville, M., & Pagnoulle, C. (2000). The Mechanics of the Mirage. Postwar American Poetry. Liège, Belgium: L3.

Delville, M. (10 December 1999). Towards a Definition of Multidimensional Poetics [Paper presentation]. Cinquante ans de poésie américaine, Amiens, France.

Delville, M. (22 April 1999). The Deep Image and Beyond.

Delville, M. (1999). Président de la session "On and Around Rosmarie Waldrop".

Michel, P., & Delville, M. (1999). US English. (Anglais des Etats-Unis).

Delville, M. (1999). Stephen Berg's Shaving. Prose Poem, 8, 139-141.
Peer reviewed

Delville, M. (1999). Modernist Literature and the Other Arts. (ULiège - Université de Liège).

Delville, M. (1999). Poésie et poétique contemporaines. (Questions de littératures modernes comparées).

Delville, M. (1999). J.G. Ballard's Dystopias.

Delville, M. (1999). Ben Watson, Art, Class and Cleavage. Textual Practice, 13, 583-587.
Peer Reviewed verified by ORBi

Delville, M. (1999). At the center, what?’ Giacomo Joyce, Roland Barthes and the Novelistic Fragment. James Joyce Quarterly, 36 (4), 765-780.
Peer Reviewed verified by ORBi

Delville, M. (1999). Writing Poetry in the Age of Prose [Paper presentation]. Post-war American Poetry: An International Conference.

Delville, M. (1999). Marie Harris's Weasel in the Turkey Pen. The Prose Poem : an International Journal, 8.
Peer reviewed

Delville, M. (1999). Charles Tomlinson. In H. Bertens (Ed.), Postwar Literatures in English (pp. 3-18). Groningen, Netherlands: Wolters-Noordhoff.

Delville, M. (1999). The Ideology of Genre. United States: Web del Sol.

Delville, M. (1999). J.G. Ballard. (ULiège - Université de Liège).

Delville, M. (1998). Président de la session "Tennyson's Treatment of Arthurian Women".

Delville, M. (1998). The American Prose Poem. Gainesville, United States: University Press of Florida.

Delville, M. (1998). J.G. Ballard. Plymouth, United Kingdom: Northcote House/ the British Council.

Delville, M. (1998). The Bureaucracy of Crime : J. G. Ballard’s Cocaine Nights and the Speculative Thriller. In Analele Universităţii Oradea, Seria Filologie, Fascicola Limba şi literatura.
Peer reviewed

Delville, M. (1998). William Faulkner and the Literature of the American South”.

Delville, M. (1998). The Prose Poem and the Critics. Prose Poem, 115-122.
Peer reviewed

Delville, M. (1998). Madeline Gins' Helen Keller or Arakawa. The Germ: A Journal of Poetic Research, 2, 226-228.
Peer reviewed

Delville, M. (1998). Popular Modernism and The American Prose Poem : From Sherwood Anderson to Kenneth Patchen. Prose Poem, 7.
Peer reviewed

Delville, M. (1998). 18 Mésostiches en guise de préliminaire. L3.

Delville, M. (1998). Postwar British Poetry.

Delville, M. (1998). Language Poetry and the Ideology of Form : Without Syntax Is No Politics ? [Paper presentation]. European Association for American Studies Biennial Conference, Portugal.

Delville, M. (1998). Les avant-gardes. (Questions de littératures modernes comparées).

Delville, M. (1997). Président de la session “Twentieth Century Poetry (I)".

Delville, M. (1997). The Borderline of Prose: T.S. Eliot and the Anglo-American Prose Poem [Paper presentation]. The Borderline of Prose: T.S. Eliot and the Anglo-American Prose Poem, United Kingdom.

Delville, M. (1997). Murdering the Text: Genre and Gender Issues in Margaret Atwood's Recent Short Short Fiction. In B. Ledent (Ed.), The Contact and the Culmination: Essays in Honour of Hena Maes-Jelinek (pp. 57-67). Liège, Belgium: L3.

Delville, M. (1997). Fiona Templeton. In P. Shelton (Ed.), Contemporary Women Poets (pp. 336-37). Londres, United Kingdom: St James Press.

Delville, M. (1997). Anne-Marie Albiach. In P. Shelton (Ed.), Contemporary Women Poets (pp. 12-14). Londres, United Kingdom: St James Press.

Delville, M. (1997). The Wrong Object. In J. Seldess (Ed.), Antennae - Vol. 3. Madison, United States: Antennae.

Delville, M. (1997). Pop Meets the Avant-Garde: Music and Muzak in Michael Moorcock's Jerry Cornelius Stories. In M. A. Morrison (Ed.), Trajectories of the Fantastic (pp. 117-128). United States: Greenwood Press.

Delville, M. (1997). On the Edge of Genre: The Prose Poem and the Short Short Story. In C. Pagnoulle (Ed.), Writing (On) Short Stories (pp. 75-87). Liège, Belgium: L3.

Delville, M. (1997). The Civility of Relationships: Charles Tomlinson and the Conversion of American Modernism. Symbiosis: a Journal of Anglo-American Literary Relations, 135-49.
Peer Reviewed verified by ORBi

Delville, M. (1996). Président de la session “Heroic Fantasy”.

Delville, M. (1996). Writing at the Boundaries: The Contemporary Prose Poem in English [Doctoral thesis, ULiège - Université de Liège]. ORBi-University of Liège. https://orbi.uliege.be/handle/2268/71947

Delville, M. (1996). In Defense of J. G. Ballard: Entropy and the Symptomatology of Contemporary Culture [Doctoral thesis, ULiège - Université de Liège]. ORBi-University of Liège. https://orbi.uliege.be/handle/2268/251452

Delville, M. (1996). La problématique de la quête chez Moorcock et Delany. Sources: Revue d'Etudes Anglophones.
Peer reviewed

Delville, M. (1996). Vardaman's Fish and Addie's Jar: Faulkner's Tales of Mourning and Desire. HJEAS, Hungarian Journal of English and American Studies, 85-91.
Peer reviewed

Delville, M. (1996). Cécité et illusion théâtrale dans le Roi Lear de Shakespeare. Voir, 154-157.
Peer reviewed

Delville, M. (1996). Renaissance Drama.

Delville, M. (1996). Diane Ward. In T. Riggs (Ed.), Contemporary Poets (pp. 1161-1162). Londres, United Kingdom: St James Press.

Delville, M. (1996). Writing against the Referent: Ron Silliman's 'New Sentence' [Paper presentation]. BLASA American Poetry Day, Belgium.

Delville, M. (1996). Marsilio Ficino and Political Syncretism in Ian McEwan's Black Dogs. Notes on Contemporary Literature, XXIV (3), 11-12.
Peer Reviewed verified by ORBi

Delville, M. (1995). Fra Stein til Waldrop: sprogdigtningen og de nye prosadigtere (Schatz-Jakobsen, C., Trans.). Den Blå Port: Tidsskrift for Litteratur, 17-30.
Peer reviewed

Delville, M. (1995). J.G. Ballard. In H. Bertens (Ed.), Post-war Literatures in English (pp. 1-17). Groningen, Netherlands: Wolters-Noordhoff.

Delville, M. (1994). Giacomo Joyce: fragments d'un discours inachevé. Editions Faculté Ouverte.

Delville, M. (1994). Margaret Atwood's Good Bones. Prose Poem, 4, 90-94.
Peer reviewed

Delville, M. (1994). Meaningful Interiors: An Interview with Clark Coolidge. BELL. Belgian Essays on Language and Literature.
Peer reviewed

Delville, M. (1994). Mourning the Signified: Language as Symptom in Faulkner's Interior Monologues [Paper presentation]. BAAHE Annual Conference.

Delville, M. (1994). Selected Bibliography of Criticism on the Prose Poem. Prose Poem, 3, 116-118.
Peer reviewed

Delville, M. (1994). The Moorcock / Hawkwind Connection: Science Fiction and Rock & Roll Culture. Foundation: The Review of Science Fiction, 64-71.
Peer reviewed

Delville, M. (1994). Giacomo Joyce: fragments d'un discours inachevé. In Giacomo Joyce: fragments d'un discours inachevé. Liège, Belgium: Editions Faculté Ouverte.

Delville, M. (1994). Alienating Language and Darl's Narrative Consciousness in As I Lay Dying. Southern Literary Journal, 61-72.
Peer Reviewed verified by ORBi

Delville, M. (1993). Président de la session “Visual Fantasies in the History of Art”.

Delville, M. (1993). The Aesthetics of Perception and the Quest for Vision in Faulkner's As I Lay Dying [Paper presentation]. XXth-Century Literature Conference, University of Louisville, Kentucky, United States.

Delville, M. (1993). Voices of Absence: Darl's Symbolic Failure in Faulkner's As I Lay Dying [Paper presentation]. Michigan Academy Conference, University of Michigan-Flint, Michigan, United States.

Delville, M. (1993). The Moorcock/Hawkwind Connection: A Rock-SF Multiverse. In Trajectories of the Fantastic.
Peer reviewed

Delville, M. (1991). The Aesthetic of Perception and the Quest for Vision in Faulkner's As I Lay Dying. BELL. Belgian Essays on Language and Literature, 81-87.
Peer reviewed

Delville, M. (1991). Voice and Vision in William Faulkner's As I Lay Dying [Master’s dissertation, ULiège - Université de Liège]. ORBi-University of Liège. https://orbi.uliege.be/handle/2268/71946

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